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I found this Sami weaving reed in a small craft shop in Sweden. It is used to weave traditional Sami style belts and bands. The reed is similar to a standard rigid heddle but has an extra set of slots that are designed to carry the pattern warp. The regular holes and slots carry the background warp threads. The background warp weaves a basket weave pattern and the pattern threads float on top of the warp threads.
As I was researching about how to weave pickup with this loom, it was recommended that the warp should be attached to a weaving belt tied around your waist (similar to a backstrap loom) or to a ‘weaving board’ where the front and back of the warp are tied to pegs attached to a long wooden board. Since I don’t have a handy DIY guy who could make such a weaving board for me, I found an art board at The Coln Gallery, my local art shop that I thought would work instead. I attached the front of the warp to the bottom edge of the board with a large paper clip. And I tied the back end of the warp to the warping board that is attached to my loom. As I weave, I advance the warp and tighten the tension on the paper clip. This method seems to work quite well.
When you raise or lower this weaving reed, the background warp threads lift or lower, creating a shed for weaving. The pattern warp threads remain in the center of the shed.
This makes it quite easy to pick up the pattern threads that you wish to raise according to the pattern.
So that I don’t get mixed up about when to raise or lower the reed, when I throw the shuttle from the left, I raise the reed. When I throw the shuttle from the right, I drop or lower the reed.
The weaving draft can be read from the top down or from the bottom up, according to your preference.
Weaving from the Left
Raise the reed. This raises the group of warp threads and creates a shed.
Pick up the pattern threads from the middle of the warp, according to the draft plan.
Hold these pattern threads up along with the warp threads that have been raised.
Throw the shuttle from the left to the right and gently pull the weft thread to adjust the tension.
Weaving from the Right
Allow the reed to drop, lowering the warp threads and raising the alternate warp threads.
Pick up the next row of pattern threads,.
In this example I have lifted #2,#6,#10 pattern threads along with the raised background warp threads.
Then beat the previous weft row into place using your finger and adjust the tension for an even beat.
Throw the shuttle from the right to the left and pull the weft thread into place, adjusting the tension.
In this example, throwing the shuttle from the left, I have raised pattern threads #1, #3, #9, #11
Felting and Finishing
When you weave this belt, the weave structure will be quite loose, similar to when you are weaving a wool blanket or other item. After weaving, it is best to lightly felt it, so that the weave structure will come together. The weave pattern has long floats. Once it has been felted these floats will work their way into the cloth.
I felted this belt by handwashing it quite vigorously in the sink – with a bit of dish soap and hot water. And rinsed in cold water to help shock the wool and make the felting process go more quickly.
More about Sami Band Weaving
Stoorstalka Weaving Reeds
A traditional Sami weaving reed made of modern materials. Stoorstalka now makes several designs of Sami Weaving reeds: standard, double slot ‘Sunna’ and double hole ‘Beaivi’ – and also a new Sami style weaving shuttle ‘Gehpa’. Wonderful!
You can now purchase them in my PaivatarYarn Etsy Shop
Background of the modern Sami Weaving Loom
Why not a good old loom made of reindeer horn?
2 Hole Weaving Reed
My New Weaving Loom.
Michael Williams Woodworking
A place to buy handmade wooden weaving reeds, shuttles and other weaving tools
Sami Weaving Books
Sue Foulkes has written a few books about Sami band weaving and using a Sunna heddle.
Saami Music – Itunes
Binna Banna – Kikki Aikio
Áphi (Wide As Oceans) – Sofia Jannok
Ulda – Ulla Pirttijärvi & Ulda
The Kautokeino Rebellion (Music from the Movie) – Herman Rundberg, Mari Boine & Svein Schultz
Beaivi, Áhcázan (The Sun, My Father) – Nils-Aslak Valkeapää
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