All Fiber Arts
Natural Dyes and Mordants
 

Dyeing with Osage Orange, Saxon Blue  

180x150-1.jpg, 1107 bytes

LINK REPORTHOME FORUMCHATNEWSLETTERCALENDARSITE SEARCHODP SEARCH EMAIL TRAVEL AMAZON STORE
Google
 

Link Library
Basketry
Beadwork
Blogs
Bobbin Lace
Bookstore
Classes
Clip Art Graphics
Conferences
Crochet
Cross Stitch
Cultural Travel
Dyes & Colour
eBay Watch
Ethnic Textiles
Felting
Fiber & Yarns
Fun Projects
Galleries/Museums
Guilds
Handspun Yarns
Instructors
Kits
Knitting
Kumihimo Braiding
Looms
Mailing Lists
Mills
Music
Mythology & Stories
Papermaking
Patterns
Posters
Rug Hooking
Software
Sewing
Small Looms
Spindles & Wheels
Spinning Info
Swedish Weaving
Tapestry Art
Used Equipment
Weaving Info
Yarn Shops
All Links
All Feature Articles

Amazon.ca
Amazon.uk


Hemp Yarns

ClipArt.com
120x600-1.jpg, 1844 bytes
Once the yarns or fiber have been soaked in a mordant solution, they are ready for the dye bath. The mordanted yarns can also be dried and stored for dyeing at a later time. In this project, I am sampling to see what colour range I can achieve through a simple overdye technique.

I am using 3 fairly easy to find natural dyes: Brazilwood (gives pink and orange), Osage Orange (yellow), Saxon Blue Indigo solution (blue). I prepared each dye bath in separate pots and divided the yarn skeins evenly between each pot (both Tin and Alum mordanted skeins). I left the skeins in each pot to simmer for about 45 minutes to 1 hour.

When I was happy with the depth of colour, I removed 1 skein from each pot, rinsed and hung it up to dry. This was my original sample of each colour. With the remaining skeins, I wanted to overdye them in the other dyepots to see what colours would emerge.

I then removed two thirds of the skeins from each pot, and put them into the other 2 pots. That is, if there were 18 skeins left in the Brazilwood pot, I removed 12 (6 Tin, 6 Alum) and placed 6 (3 Tin, 3 Alum) in Indigo and 6 (3 Tin, 3 Alum) in Osage Orange.

I let these simmer for about 1/2 hour and then removed a sample from each pot. For the remaining skeins, if I liked the colour that was developing, I left them in the pot to deepen. If I didn't like the colour, I removed the skein and put it in another one of the dyepots for a bit longer.

When I removed all of the skeins, there was still lots of colour left in the dyepot. As I don't like to waste good dye, I placed some other premordanted skeins of yarn into the pots and let them simmer.

I used fairly light concentrations of dye as I was not dyeing a large amount of fiber and I wanted to achieve fairly light, pastel tones for this project. A larger concentration of dye will result in deeper colour and more afterbath solutions.

I won't go into details of how I mixed the dyes, as there are many good books on the subject. Try your own combinations. Experiment and have fun.

Part 1.

Related Resources:

Textile Dictionary
Natural Dyes
Alum Mordant


Colours and Dyes - All Fiber Arts - Books
Books Dyes & Colour Amazon
Amazon.com Amazon.ca Amazon.co.uk

Art & Craft of Natural Dyes
Amazon.ca
Amazon.uk

Wild Color
Amazon.ca
Amazon.uk

Weavers Garden
Amazon.ca
Amazon.uk

pH Test Meter
Amazon.ca
Amazon.uk

Craft of the Dyer
Amazon.ca
Amazon.uk

Craft of the Dyer - Lichens
Amazon.ca
Amazon.uk

Dyers Garden
Amazon.ca
Amazon.uk

Chemistry of Natural Dyes
Amazon.ca
Amazon.uk

Natural Dyestuff
Amazon.ca
Amazon.uk

Colour Cauldron
Amazon.ca
Amazon.uk

Mushrooms for Color
Amazon.ca
Amazon.uk

Rainbow Beneath my Feet
Amazon.ca
Amazon.uk

89 Natural Dye Recipes
Amazon.ca
Amazon.uk
Affiliate Links
EBay CA
EBay UK
EBay US

Amazon US
Amazon CA
Amazon UK

Sign up for our New Newsletter
Feature Articles  Newsletter
Link Library

All Fiber Arts All Gluten Free All Organic LivingAll Treks.com Paivatar
©2001 Paivi Suomi.